Showing posts with label Abhishek Bachchan. Show all posts
Showing posts with label Abhishek Bachchan. Show all posts

Sunday, February 8, 2009

Dostana, The Three's Company of Bollywood


Say what you will about Dostana, but one thing's for certain...The entire cast had a blast filming this!!!

And why wouldn't they? Abhishek, comfortable with his own sexuality (Here's one man who doesn't care what anybody thinks about this film or him in it: He's laughing all the way home to the "Most Beautiful Woman In the World"), had no qualms about getting cozy with John Abraham. John, looking better than ever (Don't worry, we'll talk more about this later), seemed just as relaxed, soaring above my expectations for him in a comedic role. And Priyanka, though still lacking the fire her good looks command, had every reason to smile through the entire 142 minutes of the film--I'd be smiling too if I had Abhishek on my left and John on my right! Add to the mix Kirron Kher in a perfectly cast role (She's always perfectly cast as a mother, I know, but remarkably so for this one), normally boring Bobby Deol showing he does have a sense of humor, and several cute filmi goodies scattered about, and you've got a pretty fun timepass.



If you're not familiar with Dostana's plot, let me fill you in (Because I know you've seen the promos). Sameer (Abhishek Bachchan) is a male nurse (what is it about a man having this profession that guarantees instant snickers and giggles? Its 2009, for crying out loud!). Kunal (John Abraham) is a photographer. Both appear to be enjoying bachelorhood--especially Kunal (Surprised? Didn't think so). After a chance meeting,Sameer and Kunal continue to bump into one another, with crazy coincidences landing them both in line to rent dual rooms in a beautiful Miami apartment. Because the third room is occupied by the her niece, Neha, the landlord announces she will only accept women tenants. Naturally, Kunal and Sameer concoct an outlandish plan to get her to reconsider. They decide to pose as a gay couple, in hopes of convincing the landlord that they will not be a threat to her niece.

Seem farfetched? Well, it sort of is. A lot of this stuff happens rather quickly and unbelievably. I mean, yeah, its a great apartment, but who would go along with a lie that requires so much work to maintain...just for a stupid room. How many apartments are there in Miami? Come on. Remember, the boys decide on this plan before they even lay eyes on Neha. And, of course, once they do...



Well, lets just say its Priyanka Chopra. Obivously, now the guys are hooked...and the games begin!



The rest of the film is a good time, though not as funny as I expected. I mean, the guys did a grrreat job, but I think the screenwriters could have used their hilarious chemistry more. Abhishek and John appeared to really enjoy working with one another, and I'm sure they had tons of fun on the set. As far as I know, this was a very different role for both of them, one they pulled off effortlessly. As a matter of fact, they seemed capable of pushing the envelope even further for the sake of a few good laughs, but for some reason the film held out. I wished we would have gotten more scenes with the two of them clowning around...Not to mention a complete song featuring them dancing in those black tuxes. Oh, well. I can't really complain too much because the film still worked, mostly thanks to them.



Abhishek, who's impressed me before as a funny guy, was missing some of the goofiness he had in Bunty Aur Babli or Jhoom Barabar Jhoom. But that wasn't his fault--his character was a little on the low key side and not written to be as far out as Bunty or Rishi in those films. Still, he shined most here when sharing screentime with John.



And, of course, watching John onscreen was like being fed eye candy through an IV. No question about it--he brought the Pretty Boy back! I really have to say, this performance was the best I've seen from him. His looks fit the part, he seemed to be enjoying himself, and he was actually good at being funny! Looks like he's found his niche...Playboy bachelor who lies about his sexuality...Hmm, sounds like a few guys I know!

Piggy Chops (A name I hate for her) turned out another average performance as Neha, which was disappointing (C'mon, Priyanka, let's kick it in gear-you're one of the hottest chicks in Bollywood!). I think the only performance of hers I've been semi-satisfied with was her role in Salaam-E-Ishq. I don't mean to be hard on the poor girl, but geez, I've seen her exude more personality on a Koffee with Karan episode! But, to her credit, she didn't do an awful job and was at her very best when onscreen with John and Abhishek (Although, I can't blame her--I'd be happiest when working with them, too!). Still, I feel like I always get less than I expect from her, and its frustrating--can't help but wonder what Preity Zinta would have been like in this role instead. Oh, well...I just bought Fashion recently so here's hoping.



I'm sure you can guess that both Kunal and Sameer fall in love with Neha (Obviously a problem since she thinks they're both gay). Add to the mix Neha's boss (Bobby Deol) who also has the hots for her, and you've got a nice little quadrangle that could shake this happy household to the core.

In a quest to win Neha's heart, Sameer and Kunal simultaneusly try to woo her with little romantic gestures and even each take her out on a "date". Of course, since the three of them have become the best of friends, nothing about the guys' attention feels unnatural to Neha, and she goes along with it all, never suspecting either of them could actually be straight--much less in love with her.

Sameer rents out a carnival for his date. The two spend the evening laughing and frolicking on the rides like children, and he closes the night with a gift: A scrapbook he's put together in honor of their friendship. Oddly enough, Kunal is absent from all of the photos! Wouldn't that have been a red flag for Neha? Oh, I know he's the photographer, but still...they make tripods for that stuff. Anyways, the point is, the two had zero spark together, which I found surprising. I'd heard once that Abhishek had a real life crush on Priyanka in the past, so I was hoping for some traces of that to show. I mean, I know he's married now, but c'mon, guys, work is work! Give us something that would make Ash green with envy! Ok, I'm totally kidding, but seriously, these two had nothing. Maybe it was the annoyingly bland English tune playing in the background, but...let's just say I have no plans to see Drona.



Onto Kunal and Neha's date. First of all, whether he was straight or not, a date with John Abraham alone would make me swoon. But a candelight dinner followed by a widescreen viewing of "Kuch Kuch Hota Hai"? Are you serious??!!Marry me now, Kunal!!



Not to mention the fact that Kunal and Neha reenacted my cherished gazebo scene. Aww...It didn't matter that Priyanka lacked Kajol's expressiveness or that Kunal wasn't as charasmatic as SRK. It wasn't meant to be as good as the original, anyways--this was all just for fun! And I, for one, welcomed the inclusion! Kjo, you can mention KKHH as much as you want--yes, its a little self-indulgent, but I don't mind(Speaking of which, there's also a reference to "Kabhi Khushi Kabhie Gham" in the film that had me laughing out loud)!



I can't tell you who I was rooting for at this point. I mean, the film didn't really show a preference for Neha/Sameer or Neha/Kunal so I honestly didn't know who she would end up with--if anyone. Of course, the real chemistry of the film belonged to Kunal and Sameer, but I'll admit that I still cared about Neha's fate, too. Would she fall for Sameer's sweetness? Or Kunal's charm? Or would it be a draw and go to Bobby Deol's dry character? You'll have to watch Dostana to find out!

I do have to mention, however, the two glaring problems in the film. First of all, the bland music--Dostana's tunes lacked the catchiness and originality that we can usually expect from a Karan Johar film. Instead, we got mediocre songs with boring picturizations. The best the film had to offer was the semi-catchy opening tune starring Shilpa Shetty in a smoking hot cameo (I know I've questioned this woman's sex appeal before, and I hereby take it all back--she's got it going on!), and an extremely dance-able closing song which I've included
below.



Ahh, this really was a great song...Now here's the goofiness I longed to see in Abhishek during the film! And Priyanka's working it, looking better than she did in any of the other songs. And John...well, John's just looking hot. Again.

The second major complaint was the gay stereotypes the film seems to embrace, somewhat offensively. I took this with a grain of salt--Seriously, can we expect anything less than ignorance from Karan Johar? The man has never been the most tactful on his own show...why would he start now? But it was pretty irritating, in particular the way the writer's depicted "every" gay man as walking and speaking a certain way. Also, the assumption that "every" gay man would automatically be attracted to "every" other gay man bugged me. If you find any of this directly offensive, I would either advise you to stay away from Dostana or to consider the source.



Aside from its missteps, I did enjoy watching this. I don't think I've ever labeled a film as "a decent timepass" before. But if there's one that deserves the title, it's definitely Dostana. Though its not nearly as good as any of the other Karan Johar films I've seen (yep, I'll admit that I do like most of them), its still worth the time just to see John, Abhishek, and even Priyanka having a ball! Go into it with little expectations and you'll likely have some fun, too!

Friday, December 19, 2008

Merry Christmas!...And, What the Heck, Let's Revisit HAHK and KANK


Merry Christmas, Everyone!And, yes, believe it or not, I really do want to talk about HAHK and KANK again!

Why?

Well, since I couldn't find any other Christmasy moments in Bollywood, I popped in KANK to capture this one. Then I started watching, cuz you can't just pop a SRK movie in and not start watching...

Pretty soon I found myself lost in the world of KANK. I know, you're probably shaking your head while reading this, saying, "Of all the movies she could repost on, why, oh why KANK?" Well, I'll tell you why. I realized while rewatching that there's a whole bunch of fun stuff to cover--and all I did was pretty much tackle the issue and the way Kjo addressed it in the film. While all of that's fine and dandy in terms of discussion, I missed out on a bunch of great screen shot opprotunities and star gazing--Because, let me tell you, the stars of this film look amazing.

I really love Bollywood movies that are set in India, before the whole NRI trend in the '90s. As I've said before, I find these movies comforting because they remind me of the films my aunties would watch when I was little. But I've also got to admit, I love the glitz and glamour of Bollywood in NYC, too. What could ever be painful about seeing gorgeous stars like Rani Mukerji dancing around a beautiful city that I already adore? My dad and his wife live smack dab in the heart of Manhattan, so I could be biased, and I find India just as beautiful (though in a different way), but my point is, the combination doesn't bother me one bit. I love guys in Abercrombie and Fitch. I love Shahrukh Khan. Why wouldn't I want to see Shahrukh Khan dressed in Abercrombie and Fitch? That doesn't mean I don't like him in pyjamas and a kurta...it just means I like having the best of both worlds!



Of course, Abhishek always looks great in my book. But seeing him in long trenchcoats, scarves, and suits didn't hurt either. I think I said in my first post that I was really impressed with him here, and the same holds true today. As a matter of fact, this is one of my favorite dramatic performances from him. The obvious question of the hour is why anybody would want to cheat on him, and I think the film makes the circumstances believable enough. Yep, he's a great husband, and he's really hot, but he and his wife have some major communication issues. Although, if this was my husband, I wouldn't be trying to "discuss" anything!



As you can see from the screenshots, Rani looked stunning in this film. And the makeup! Gosh, this woman is gorgeous, and with her amber eyes and carmel complexion, she can pull off almost any color.
















I've heard some complaints about Preity's eye makeup being too heavy. I don't think that's the problem. I think the artist just did some kind of weird wing shape in the other corners that made her look older. I would have stuck with the smoky eye--a character like Rhea needs a smoky, kohl rimmed eye to match her "rockin'" wardrobe and career--but I would have blended the color out a bit more. Other than that, can Preity ever look bad? She totally pulled off the New Yorker look, I don't care what anybody says!;)



Let's not forget Amitabh Bachchan, whose looked smart and snappy (despite the whole "Sexy Sam" trashtalk). This was a much better look for him than the embarassing ponytail he sported in Cheeni Kum.

Now, onto the jodis of the film. There were so many great jodis in KANK! So, keeping in form with the recent jodi lists of the PPCC and Rum, I made my own jodi list for KANK. Which was your favorite?

1)Rani/Abhishek Jodi.If you're a die-hard Rani/Abhishek fan (like I am), you may be leary of watching a film where your beloved couple isn't exactly basking in marital bliss. But take heart...KANK still gives you that "Ranishek" fix you've been craving...they have a lot of screentime together, and look picture perfect in every shot! I was a little disheartened by the circumstances, but come on, its just a movie. I simply popped in Bunty Aur Babli immediately afterwards and skipped to the honeymoon song to end things on a happier note. Ahh, yep, that did the trick!



2)Shahrukh/Rani Jodi. If you're a fan of Rani/Abhishek, perhaps you weren't too keen on the Shahrukh/Rani jodi. Or maybe romances based on marital affairs are too unsettling for you to sit back and relax with. Whatever the case may be, "Tumhi Dekho Na" is so picturesque that it really created the backdrop I needed to believe the story. I'm not sure how it managed to do that on images alone--but it did. There was something about the colors, the changing seasons and the haunting melody that I found myself falling under their spell, even though I didn't want to. I thought Rani and Shahrukh accomplished what they were supposed to--they created a chemistry that was forbidden and yet enchanting enough that even I forgot about Abhishek...for a second.

3)Abhishek/Preity Jodi. There was something about watching this couple hug prior to "Where's the Party Tonight" that made you ache for them--and what they didn't know. You knew halfway into the film that there wasn't going to be anything going on between these two--they were completely trustworthy, and totally committed to their spouses. And they were so fun to watch on the dance floor! Both playful, energetic and spunky. I always imagine that the director of Jhoom Barabar Jhoom saw Preity and Abhishek in KANK and said, "I've got to give people more of these two! Sign them up for my next project!"



4)Abhishek/Amitabh Jodi. Of course, their dialouges together consisted mostly of the word "Dude", but still...I always get warm fuzzies whenever I see these two onscreen together. Especially on the dance floor! Without their jodi (and Kajol's cameo) "Rock 'n' Roll Soniye" would have been unbearable!



5)Amitabh/Kirron Jodi.Of course, I'm still waiting for someone to snatch up Big B and Kirron Kher for a new twist on a romantic comedy. This was the best jodi of the film! The relationship with Dev's mom (Kirron) and "Sexy Sam" was a great side story, and saved Amitabh's character from looking like nothing more than a dirty old man.




6)Everyone Jodi. Gosh, everyone just clicked with one another in some scenes. Especially when the four main characters shared screenspace--think the snappy confrontations at the ballet, at the "Rock n' Roll Soniye" party, and at the hospital. Those one liners--particularly Shahrukh's--were hilarious. And who could forget the intensity at the dinner scene in the second half? The contrast between Shahrukh and Amitabh's icy comments over the flaming candlelight was sheer brilliance.



7)Little Arjun/"Simran" . A cute "in" joke referencing DDLJ. Aww!




8)Me/Arjun Rampal/John Abraham. Oh, did you miss that part? ;)





So that sums up the KANK recap. Now, onto that other film with a famous acronym...

HAHK, or, Hum Aapke Hain Kaun. I have to chuckle while I write this, because, gosh, this film is something else. It really is. On the one hand, its utterly ridiculous...the film stretches nearly four hours long, the plot doesn't kick in until the last hour and a half, and there's a lot of technical snafus. When I first saw this, I didn't quite "get it". My comments from readers assured me I wasn't alone. I decided to put HAHK way in the back of my DVD cabinet, proud for trying and glad that I at least liked some of the tunes.



Yes, that is a dog listed in the opening credits. I'm not kidding.

Anyways, for some reason, I decided to pop it in again last night. I'm not sure why. Maybe it was Daddy's Girl's recent post on Sooraj Barjatya's films, or the fact that I was one of the few bloggers who liked Vivah, or the upcoming holidays (I saw HAHK last Christmas, and I'm big on holiday repetition with films), but I just felt like watching it again.

And you know what? I got it. In fact, I loved it. Everything that confused me the first time around literally delighted me this time. A song about shoes? Awesome! Practical jokes? Funny! Family values instead of a plot? Aww! A dog as an active character? Bring it on!












I always said Vivah was a film I enjoyed because it felt like I was spending time with the characters as opposed to watching an actual movie. Because of this feeling, the weak plot never bothered me. I found every moment in that film touching and sweet, like my grandmother telling me the story of her courtship with my grandfather. I felt something similar with HAHK this time, although with this film I thought the emotional depth was even stronger. There was love all around in HAHK. Love between Nisha and Prem (Salman/Madhuri), love between Pooja and Rajesh, love between both families, Prem's love for his bhabhi...its just beautiful to watch. For example, there's a touching moment when Pooja's mother sings to Rajesh's father about how she is entrusting her most beloved treasure--her daughter--into his care. The two gaze at each other and sing, sharing a moment that is powered by their love for their children, and nothing more. How did I miss that the first time around?




Of course, the best part of the film is still the music and Salman/Madhuri. But that was one thing I mentioned even in my first review. It was the rest of the film that I didn't quite get, but now that I've pieced it all together, HAHK has shockingly become a Bitten By Bollywood classic. I'll probably watch it again every Christmas. It's not holiday themed by any means, but it gives me that same cozy feeling that I get when I'm decorating the Christmas tree, listening to carols and sipping hot cocoa. It may not be for everyone--it sure wasn't for me, at first--but it's become one of my comfort foods in Hindi cinema.

And there you have it--two films that have unexpectedly found their way into my heart this season! Maybe I need to lay off the eggnog...or maybe they're both a lot more charming than I had thought. Either way, I hope everyone is having a blessed holiday and I'm wishing you all a Happy New Year!