Ctrl BG: A Shortcut to Financial News 12/14

It's been a stressful few weeks for US auto makers. Last week, they handed in their proposals to be reviewed by Congress. I'm not sure about the details, but it was along the lines of major cut backs, and the Ford CEO vowing to work for $1 a year if Ford had to take money from the government (they are currently only asking for a loan line for emergency). At the beginning of the week, the senate approved a bailout. On Thursday, it was blocked by opposing Republicans, who thinks that it will be better for the big 3 to pursue a prearranged bankruptcy instead and also because the Unions wouldn't back down from a wage cut (beggars really can't be choosers...). Supporters argue that no one wants to buy cars from a bankrupt car company, which is a very valid point (think of the warranty/repair issues!). On Friday, Bush had to step in vowing to save the automakers from collapsing, with the TARP money (which they originally didn't want to do). A lot is at stake. The automakers claim that 1 out of 10 jobs in the US is connected to the auto industry. That would be devastating to the already weak economy.

A very good example of this trickling effect, would be GMAC the auto financier, which just got approved to become a bank holding company last week. Unfortunately, becoming a bank holding company is not as easy as GS and MS makes it out to be and they're struggling to raise the capital needed to do so. They are trying to renegotiate with debt holders to swap the debt for a smaller amount of debt, cash and preferred shares. If this doesn't work then they are highly likely to go into bankruptcy.

The other big news this week was Bernie Madoff $50 billion fraud. This former chairman of the NASDAQ stock market and Wall Street legend, is allegedly the perpetrator of a $50 billion giant ponzi scheme. According to Wiki, a ponzie scheme is a fraudalent investment operation that pays abnormally high returns to investors using the money coming in from subsequent investors. Apparently lots of the super wealthy have been fooled by this scheme. It is amazing how much you can get away with, with a good reputation and an affable character!

It appears though that the markets is already immune to these scandals, because the markets ended (by a tiny bit) up this week!

1947 Earth

After Dil Se..., I wasn't sure I was in the mood for another depressing film. I didn't know much about Earth, but since it was directed by Deepa Mehta, I knew better than to expect anything for the faint of heart.

But I popped it in anyways--Truth was, I'd been dying to see it for quite some time now. For one, it stars Aamir Khan! Isn't that reason enough to watch a film?



Secondly, I knew it was a story about Partition. Partition--the concept has fascinated me ever since I heard the story about how my grandparents migrated over to Pakistan from India. Actually, I know very little...My grandparents are both deceased and my father and I don't really discuss it. But it's my dad's wife who has known our family history for years, and gives me little pieces to the puzzle every time I visit her (In case you haven't read my brief little family story, I haven't been very close to my father for most of my life and was brought up very non-Desi by my German/Mexican side of the family). What I do know is my grandfather was Sikh, and apparently converted to Islam to remain in Lahore (his parents had migrated there from India before Partition). My grandmother and her family had migrated to Pakistan after Partition from Mumbai. And Earth is about Lahore, no less--needless to say, this heightened my longing to see the film. I wasn't there, but I could imagine the suffering my grandparents and their families must have went through, and how jarring the division of India and Pakistan must have been for all who experienced it. It certainly was the most bitter divorce in history, and I'll be telling the story to my own daughter someday--I don't ever want her to be ignorant to her family history, like I was.

Earth was just as much of a downer as Dil Se was...yet for some reason I liked this one better. Deepa Mehta has a knack for that. She gives you the most depressing circumstance and tells it with such well developed characters, solid performances, and tight scripting that you walk away feeling satisfied despite the doom and gloom.(At least that's the experience I have when watching her films--I'm sure there are some who beg to differ).



In Earth, the story is told mostly from the point of view of an eight year old girl. This was a brilliant move. We see the most terrible acts of mankind through the innocent eyes of a child, making even the stiffest upper lip tremble. Lenny (played by a darling Maia Sethna), lives with her parents in a Parsi home in 1947 Lahore. Her nanny, Shanta (Nandita Das) totes her around everywhere, mostly with a circle of Shanta's male friends. This isn't a problem in the beginning--Shanta's male friends lavish "Lenny Baby" with attention--mostly because they all have a thing for Shanta. Especially Dil, known as "Ice Candy Wallah"--and played by none other than Aamir Khan.

Lenny's adventures with her nanny turn from playful to tragic as the events of 1974 Lahore unfold--None of the characters have any idea of the warfare about to take place until it actually happens. Lenny and Shanta's world is literally torn in two as 1947 Earth lifts the veil off the people they trust--revealing love, friendship, hate, and betrayal.

My only complaint about this movie is there was less Aamir than I expected. I wondered why for most of the film (any insight, Bollywood Fan ?), until I finished it and thought whoa. As a matter of fact, it is Aamir (and his performance) who left the strongest impression on me. And I do mean strong---there's a particular scene towards the end (actually, Aamir's last scene in the film) that I had to replay three times until I could move on. I stared at the screen, wide eyed. If you've seen the film, you know why, but if not, just know that you still get blown away by Aamir, no matter how "small" his role may seem on the surface. It's not--trust me.

Nandita Das plays Shanta, the woman who everyone seems to want. Actually, it's Aamir's Dil and Hasan (Rahul Khanna--Akshaye's brother!) who are both in love with the beautiful nanny. And it's not hard to see why. Nandita Das fascinates me every time I see her. She's an amazingly talented actress and has a natural beauty that would make even the most polished Bollywood beauties jealous. There's just something about her--she's real, yet sexy at the same time. That jet black hair! Those perfectly straight white teeth! That creamy cocoa skin! Fair, schmair...Nandita's got it going on!



Maia Sethna was perfect as young "Lenny Baby". Her voice had the cutest little accent when speaking English. Oh, I could listen to her say "carmel custard" a gazillion times--I don't mean that in a derogatory way, its just so adorably cute! Deepa Mehta knows how to pick her child actors--remember Chuyia in Water?
But Maia is more than just cute as a button--she pulls off some of the most pivotal scenes in Earth effortlessly.

I remember little more about Rahul Khanna than that he was very handsome, and I feel kind of bad for that. His performance was more understated, and it wasn't that he didn't do a good job, but more that he was overshadowed by Aamir, Nandita, and little Maia. My feelings for him evolved during the course of the film--at first, I was irritated with him for getting in Aamir's way. As the film progressed, I softened--it was clear where Shanta's heart was, anyways. But I won't say too much.



The supporting cast seemed to click perfectly in their roles. Especially Kitu Gidwani, who plays Lenny's mother.



Here is another woman I was in awe of in this film. Kitu has this voice that is so musically elegant it could lull me to sleep (Isn't she in a Basmati rice commercial? I swear I've heard this voice before!). Lenny's mother Bunty exuded class and beauty, with a delicate grace that told you oodles about the type of home they had. They had it pretty good prior to 1947, an upper class Parsi family that lived quietly and comfortably. There's a scene where Bunty explains to Lenny what it means to be Parsi, and its so effective that I think I'll remember it for the rest of my life:




That's the other thing about Earth...it tries to give us a feel for 1947 from multiple angles, not just Hindu and Muslim. We see Lenny's family and their struggle to remain neutral as Parsis, the fury of a Sikh man who is forced to flee from his beloved homeland (or convert...makes me wonder if that is what my grandfather's family did?), and even a man who becomes a Christian. Given the time frame of the film, I was impressed with the glimpses into the other perspectives, albeit brief.

The music was forgettable (at least I forgot--how many songs were there anyways?) but this was not your typical Bollywood film. The background score, I thought, was really effective...a soft hum to steady drumbeat, like the sounds of a crowd of people making their way across the new borderline. There was also a narrative--who sounded like Shabana Azmi?--which was also pretty effective.

I've heard from Magpie Ima that Earth is an adaptation of a book called Cracking India by Bapsi Sidhwa. I'm also told that the author makes a cameo at the very end as an adult Lenny. I would definitely read her novel, since I really liked this film. It was fantastic--absolutely brilliant--and I'm so glad I finally got my hands on a copy (Thank you again, Summer and Katy!). I recommend this wholeheartedly to anyone and everyone.


Text © 2008 Nida Nazir Bitten By Bollywood

FW08: Fancy Tights

Ever since I saw these stockings on the Chanel FW08 runway, I knew I wanted them.
They are refreshing, fun and elegant. I especially love the black stripe at the back- it is super slimming!
Luckily for me, this trend finally made it to high street. Urban Outfitters have almost the same contrasting colored ones (left: and it's not true what they say on the website about it being online only. I just got mine from the store today!). They are also just simple enough that you can wear it with almost anything.

Urban Outfitters also offer a bit of variation with the bold black/gray stripes (right), which are still cool and slimming. But since this one is so much more striking than the other one, I'd be much more careful matching this one because these ARE the statement. If you want something even subtler, I'd go with these stockings with a seam at the back. It is almost like regular stockings but with an interesting twist at the back that is both sexy and slimming (a very important attribute), what more can you want?
I'd always thought that lace was slutty, but HG turned me around and now I"m a convert (or maybe I'd just confused them with fishnets?). It adds just the right subtle touch of girliness to an outfit (and it is very popular amongst the models this season). This mini diamond printed tights (right) gives a similar textured effect in a less girly way. Just remember not to choose any print too densely populated or wide (like wide diamond prints or plaids!), because they'd just make your legs look uneccesarily wide.
And also, not fishnet footless stockings or v print red ones (above), please. They are just tacky tacky tacky. But otherwise, have fun with this trend. I know I will :)

Image Source: Urban Outfitters, Style.com, Accessorize and Express

All Bundled Up - Literally

I love bundling up to keep warm. It's cozy and makes me happy. What I love a lot right now are cowl neck scarves! I'm such a fan! I knitted my sister a burgundy/mauve/maroon cowl neck scarf that she can wrap around her head, shoulders and neck about 20 times over. I then went onto Etsy to discover that they were all over the place!


In winter, always welcome wonderful bright colours. Cowl neck scarves by Croska (yellow) and Happiknits (orange).


Some darker tones for Fall. Blue cowl neck by YarnOverMoment, and brown cowl neck by Ozetta.


SUPER HUGE AND COMFY! I want one of these for myself! By Yokoo.

Pull Yourself Up By Your Boot Straps

I own a pair of 2 year old Seychelles boots. They're absolutely brilliant in the sense of comfort, practicality and style. I'm so attached that I refuse to believe that the sole is slowly wearing away, that there is hardly any grip left, or that the zipper is removing itself from the actual boot.

But in these harsh winter months (HELLO, yesterday was frigid!) we need to make sure our feet are warm and that we don't slip (that is, if you are fortunate enough to live in a place with the joys of black ice, hail and snow... If not, I apologise for my not-applicable-to-life post).

Here are some boots that I found, sadly prices are much too high for my liking - then again, investing in a good pair of hardy boots is a good idea. Forget the heels and give me those rubber soles, please! Buckles are great on boots, they give them some character and add a little something to your outfit. &those Tory Burch boots with the bi-colour leather, how excellent.

I like to have boots that have zippers up the leg, they are more shapely and much easier to put on, especially when you want to tuck in your trousers.

And for all our sakes. Please DO NOT wear these, I beg you.

Image Source: Seychelles, Neiman Marcus, Nordstrom

More Sweaters

As I'm virtually filling up my shopping cart (it is SO much fun), I realized how everything I choose was either a dress a cute delicate top or a cardigan. Nothing practical that I can wear on a daily basis (besides maybe the cardigans). This is probably why my winter wardrobe is so monotonous year after year. It occurs to me that maybe I should change my approach a bit and focus instead the basics- like sweaters! I am loving these two very simple sweaters with a twist. The jeweled collar of the Rebecca Taylor cashmere sweater (left), gives this somber gray sweater just the feminine touch it needs to be pretty. The twist on this cowl neck Marc by Marc Jacobs (right) sweater is cool and refreshing. And the beauty about both of these sweaters is that, while they are interesting, they are still simple enough to be paired with anything, from simple jeans to printed skirts- in fact, I think printed skirts would be a brilliant idea!
Moving along, we have the stand alone sweaters that makes a statement by itself. The Juicy Couture criss cross sweater (left) is cute and preppy. And I love the little lambs on the black LAMB sweater- it provides a very cute contrast to the stark black/white. Finally, you can never go wrong with a classic quality sweater. My personal favourites are Ralph Lauren cashmere sweaters (left). They feel divine. I want one in every color! And of course, you can get even simpler ones like this one from Bop Basics (right). In fact, many of their classic Bop Basic cashmeres are on sale right now! I have my eye on that black cashmere turtleneck!

Image Source: Shopbop, Saks and Ralph Lauren

Dil Se...

Let me first say that my prayers and thoughts are with all of those who have lost loved ones in the recent terror attacks on Mumbai. It's hard to watch a movie like "Dil Se..." at a time like this and not think of the horrible reality of hate crime and terrorism. I usually don't use this blog to post on anything other than straight film reviews, but I just wanted to let everybody know that I am posting this review and an upcoming review of "1947 Earth" without any intention of offending or glazing over something which rings horribly true for those who are living it. I'm sensitive to what you are going through, and although I am fortunate myself to have never been a victim of a terrorist attack, my heart goes out to all of you.

Secondly, I want to thank publicly and warmly my blog readers and newfound friends Summer and Katy for sending me this film as a present on their recent trip to Mumbai (thankfully, they were unharmed by the attacks). Along with Dil Se... I received 1947 Earth, Deewar, GolMaal, and Chotker Bali, so reviews on these films are forthcoming. Thanks again guys!

But onto Dil Se.... I was stumped for awhile on what to say about this film. It was quite a switch from the recently watched Main Hoon Na. Folks, if you're looking for a Shahrukh movie thats not your typical sugary song and dance, then Dil Se... is for you.

I'm used to watching love stories that make me feel good, a huge fan of rom-coms and heartwarmers such as Kuch Kuch Hota Hai. But Dil Se... was very much opposite. Yet it appealed to a different side of my heart, the side that understands the yearning and passion of love that isn't always good for you. The side that wants something it can't have and can't understand why. The side that believes there is a thin line between love and hate.



How do I describe Dil Se...? Moving? Tragic? Disturbing? Passionate? Intoxicating? It was all of these things, really, and as a viewer I fell completely under its spell. But it was also one of those films that lingered in my mind for days after its end, bits and pieces resurfacing in my memory, the sweet and the bothersome. That's why I had a hard time putting my thoughts together for this post--I wasn't sure how a film could make me feel touched and disturbed at the very same time.

The film kicks off with Shahrukh's character, Amar, at a train station (***This isn't really a spoiler, but it will be a play by play of Shahrukh and Manisha's first meeting. I'm including it in detail only because I thought it was so effective***). Everything about this first scene is foreboding...shadowy, dark, lonely, with gusts of wind howling in the background. A dark, cloaked figure sits on the bench nearby. The whole thing reminded me of the beginning of a deliciously good ghost story.



Amar awaits his train, trying to light his cigarette in the wind. He attempts to make conversation with the cloaked man, asking him for a match, but receives no response. And then...brilliantly...the cloak whips off the man on the bench in the violent wind...and...why,its not a man at all...it's Manisha Koirala!



Instantly smitten, Amar tries to buy the woman a cup of tea. She quietly accepts, but while he's making the purchase, the woman's train arrives. Amar runs back just in time to catch only a glimpse of her face as the train departs, holding his two cups of chai in the rain.

Why go on and on about this little scene? Because its serves as a symbolic precursor for Amar's luck---as well as he and Meghna(Manisha)'s tumultuous affair.



Believe it or not, this eerie encounter is followed by the cheerful and ever so popular "Chaiya Chaiya"--the song that made train dancing famous. It's Shahrukh energy at its best, and the chereography makes it really fun to watch (or imitate, if you dare). Malaika Arora makes a cameo in this song (That is her, isn't it?) and it appears as if Amar's forgotten all about the mystery woman at the train station.




Don't worry, he hasn't. Amar's actually just begun his somewhat disturbing mission of stalking Meghna. Another angle to the film that I found bothersome at times.

He stalks her on the air at his radio station.



He stalks her when she is trying to make a personal phone call.



When she asks him to stop following her, he refuses to listen, and jumps on the back of a bus to follow her home instead.



As a matter of fact, the whole thing got pretty irritating to me, until their showdown in the desert--where I just about felt like hitting Amar myself. His violent, aggresive, male chauvinistic approach to conquering Meghna was a huge turn off for me. I say "conquering" because that's just what he was doing--attempting to win her over, with virtually no regard for her feelings or what she was saying.




Some can argue that this was how deep their passion was, and that essentially she really was in love with him as he thought. She just wouldn't admit it to herself because of her situation. That could be, but he told her she was "fast" and "a tease" just because she wasn't interested in him! I don't know, maybe I misunderstood something along the way, and I welcome anyone else's take on this, but I just didn't get this part of the story.

I did, however, soften to Amar and forgive him after this. There would have been no other way for me to continue the film had I not. I'm glad I did--the romance between him and Meghna took an interesting turn after all of this. I actually believed Amar did love her, and he proved it many times for the duration of the film. The song depicting their love affair was hot--and featured some creative chereography that shows why Farah Khan is Farah Khan. A bit choppy and rough, but it did match their attraction.




Love it or hate it, you've got to admit it's unique. And I'm sorry, but the whole red satin thingy was super cool.


The second half of the film gives us Preity Zinta in her debut role! Yay--nothing like Preity to add some much peppy punch to the situation. I loved her character instantly, and I'm glad she was included in this film. It was her character,Preeti, (yep, same name just spelled differently) whose fate I cared for most during the last parts of the film.

Also, I never noticed the age difference between Preity and Shahrukh--although I'd heard it complained about before--until this film. I thought they paired up beautifully in Veer Zaara, but she looked much younger than him here. Still, they have some great scenes (and lines---who could forget the hunka-bunka-bunk coversation?)together, and even a cool dream sequence, also nicely chereographed. Not only that, but Shahrukh proves he had a nice body before Om Shanti Om...


I can't say much more without spoiling the ending. And, trust me, you want to remain surprised here. Just know that even though the movie may have some upsetting elements, its definitely worth it. I watched this film late at night and woke up with the thoughts lingering like a "Dil Se..." hangover. It's just that kind of film... it effects you.

If you've seen the movie, I'd love to hear your thoughts! This is one that I'm sure a lot of people have different opinions about. Although I loved the film, I think I'd have to see it again to really organize my thoughts on the deeper elements. It's something I could watch again tomorrow and realize there were parts I'd missed the first time around.

In the meantime, I'll be working on my next post, also another controversial film--1947 Earth!


Text © 2008 Nida Nazir